About three weeks ago I got a call to do four nights with the Canadian classic rock band April Wine. Tour tech was providing PA, lights and two techs for a mini-tour of the maritimes. Don't know why I got the call, but work is work, so naturally I took it. It was quite the interesting experience. I'll just hit the highlights here:
The budget was low so they only took 24 PARs, and lights were my responsibility. A bit of a challenge since I didn't know their music. I tried to listen to some before hand, but that's a lesson learned: know the music real well if you're going to light a rock show. The first night in Saint John NB was barely passable. But, the band must have had low expectations because nobody really complained as long as I made sure to hit the cop light cue in Ooutanite and the strobe cue during the drum solo.
Speaking of the drum solo, I really enjoyed the band. Sure, they were loud - they are half deaf, but I'm getting ahead of myself. More on that later. I guess it shows my musical ignorance that I hardly knew any of their tunes before working with them, but I really liked their style. Some songs had some really cool, intricate guitar solos, often played in harmony by Myles (lead singer) and Brian (lead guitar).
So, after Saint John Thursday, they played the Savoy Theatre on Friday, which is in Glace Bay, near Sydney, NS. The Savoy also recently installed lots of new gear so I didn't go to that show, nor the Saturday show at the Marquee in Halifax.
The last three shows of the mini-tour were in bustling Liverpool, NS, at the Astor Theatre. Quite a luxury to have three shows in the same spot. The hotel - Lane's Privateer Inn - was actually fairly nice, and had a decent restaurant. Since we were in one spot for three days, there was time to tweak and learn. On Monday afternoon I listened to some CDs and changed some of the programming on the board. Mostly, however, I spent time with Brit Fader, the audio tech that came with the gear from Tour Tech. He's a mixer and guitar tech who's worked in the industry for quite a while. So he knew the band, enjoyed working with them, and he could tell me lots about the history of the band and the local industry.
But back to tweaking. As I mentioned earlier, some of the band members have compromised their hearing from decades of Marshalls on 10 and drum kits played harder that you can possibly imagine. The band brought a Yamaha PM 2000 for FOH, but TTE supplied the rest of the PA, including 2 Xsub, 2 Xcb and 2 Xcn per side- for a 360-seat theatre!
Why such a PA, you asK? Well, a look at the monitor rig explains things a little. The 5-member band has the drummer and guitar player on in-ears. The drummer has a Clair Bros sub as well, but that's small stuff. The bass player has 2 12am wedges for his vocal, and an Ampeg SVT on 10 with an 8x10 cab, so he's covered. The keyboardist gets one Clair wedge. Similarly, one for Brit at the monitor board. We brought 8, so where did the others go? Well, Myles has them! A pair in front and a pair behind him. Oh, but wait! He also has a pair of Meyer MSL4s on each side of the stage, as well. 6 very potent monitors, just to get his voice above his Marshall.
So what did I spend Monday afternoon doing? Yelling into the Beta58 "eeehhh!" and "tsk!" while Brit adjusted the monitor rig, or conversely listening to Brit yell while I twiddled the EQs on each monitor send. We tried our best to cause every possible ring and squeal, and then used the EQs to reduce those runaway frequencies so that we could squeeze the last little bit of volume from that rig before the whole thing exploded in a mess of feedback.
There was other fun associated with the trip, and I'll just pause to say that April Wine guitarist Brian Greenway probably missed his calling as an improv comedian. However, it's probably time to bring this entry to a close and return to more productive real-world tasks. A closing tech note: the Astor has an ETC Express 24/48 which I used instead of the Leprecon LP1600 that Tour Tech sent out. It was quite nice and I very much enjoyed doing lights, once I learned the tunes and felt like I wasn't messing up the show.